Reimagining the queer classroom

Two people pose joyfully in front of a pink backdrop. One person, standing and wearing a brown hat, pushes another seated on a skateboard. The seated individual wears a bright pink shirt and a brown beret, smiling with arms extended as if riding.A cheerful group of thirteen people pose around a bench at Newtown train station, with a yellow train behind them. The group smiles warmly, casually dressed, and gathered closely in front of a sign reading "Newtown."A person wearing a mustard-yellow button-up shirt dances with eyes closed and a gentle smile, hands raised slightly in motion. The black background isolates them in a moment of ease and rhythm.
A person stands in front of a bright green backdrop with arms outstretched, caught in mid-motion, creating a blur effect around their hands and arms. They wear a short-sleeved, striped button-up shirt over a white crop top, beige knee-length shorts, white socks, and light sneakers. Their head is tilted gently, and tattoos are visible on their forearms. The image captures a sense of movement and carefree expression.A person with eyes closed stands calmly in front of a pink background, wearing a bold blue and pink zip-up hoodie with a floral design. The expression is serene, as if meditative or reflective.A person in a red knitted vest with a yellow sickle and hammer symbol sits playfully backward on a chair in front of a green screen backdrop. They are smiling, with one hand hanging off the chair and socks reading "Vegan Vibes."
A group of seven friends sit closely on wooden decking in a public outdoor area, smiling at the camera. One person holds a green tumbler. They appear relaxed and joyful, surrounded by greenery and other people in the background.A person poses confidently in front of a bright green backdrop, standing on one leg with the other leg bent and raised. They wear a light pink crop top that reads “Sorry boys, Daddy said I can’t date” in playful red and black lettering, along with shiny black shorts, black sneakers, and white socks with rainbow details. Accessories include a studded collar, a necklace, and round glasses. They have shoulder-length wavy hair and visible tattoos on their arms and legs. The pose, expression, and styling exude pride, playfulness, and self-assurance.






Two people hug closely and smile with their eyes closed against a pink backdrop. One wears a red t-shirt, and the other wears high-waisted olive pants and a black tank top, both radiating warmth and affection.
A 3 year

Digital archive of queer scholarship at the Hunt-Simes Institute in Sexuality Studies

(About Us)

Education isn't neutral. It's a chance to imagine differently.

(Est. 2023)
A group of five people standing on a brightly graffiti-covered staircase in an urban alley, each holding a hand-lettered sign. From left to right: a short-haired person in glasses holds a yellow sign reading “PROTEST TRANSPHOBIA TRANS JOY”; a tattooed person in a patterned skirt holds a red sign reading “SKATE and BI”; a smiling person in a floral shirt and backwards cap holds a green sign reading “YOU’RE FLIPINO AWESOME”; a person in a long patterned dress and bright sneakers holds a red sign reading “Spirits”; and a bearded person in a light shirt and dark pants holds a pink sign. Behind them, a colorful mural with bold tags and the word “GEEZER” fills the wall.

Our mission at hand

At HISS, we believe the classroom is more than a place to learn, it’s a space to question, collaborate, and reimagine. Too often, queer students are asked to adapt to systems that were never built for them. HISS set out to change that, creating a queer-led classroom where creativity, care, and embodied learning come first.

Over three years, we gathered emerging and established thinkers to experiment with what a truly inclusive education could look like. This archive exists to document that journey, and to invite others to keep imagining new ways of learning.

Our queer school is rooted in care and creativity. It centres experience over structure and invites reflection, revision and resistance. The HISS School Charter captures our values.

(Our Approach and Values)

A lively group portrait of about two dozen people arranged in staggered rows inside a gray-walled room. Most are seated on chairs, kneeling, or sitting on the floor; one person lies at the front on their side. Nearly everyone tilts their heads together to the left, creating a playful, unified lean. In the center, someone holds a hand-lettered white sign with bold teal letters reading “HISSS 2024.” A black curtain backdrop hangs behind them, and on the far left a whiteboard displays small rainbow and trans pride flags. The group is casually dressed in patterned shirts, tattoos and bright colors are visible, and they smile or gaze off-camera.

This approach informs everything from how workshops are facilitated to how relationships are built across disciplines, generations and identities. HISS embraces the unfinished nature of learning, making space for uncertainty, play and discomfort as part of the process.

It’s a school that resists easy answers and static roles — where students, facilitators and collaborators learn with and from each other in ways that are embodied, situated and always evolving.

HISS School Charter

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Disorientation

We disorient from harmful practices experienced in formal schooling.

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Celebration

We celebrate queerness and transness however it manifests.

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Commemoration

We commemorate queer and trans elders, past, present, and future.

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Nurture

We nurture bodies, hearts, minds.

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Listen

We listen with patience and care to diverse experiences and knowledges.

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Question

We question norms, assumptions, privilege, and power.

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Honour

We honour the interplay between comfort and discomfort.

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Disrupt

We disrupt with purpose so that old and new ways of being can flourish together.

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Experiment

We experiment with teaching and learning for justice and care.

** Drafting a Queer Normal School **

A person poses confidently in front of a bright green backdrop, standing on one leg with the other leg bent and raised. They wear a light pink crop top that reads “Sorry boys, Daddy said I can’t date” in playful red and black lettering, along with shiny black shorts, black sneakers, and white socks with rainbow details. Accessories include a studded collar, a necklace, and round glasses. They have shoulder-length wavy hair and visible tattoos on their arms and legs. The pose, expression, and styling exude pride, playfulness, and self-assurance.
A close-up photo of a person mid-motion lifting a black shirt over their head, partially covering their face. Their tattooed arms and chest are visible, including a whale and a flame tattoo. The background is black.
Two smiling individuals pose in front of a pink background. One person lifts the other in their arms; both are laughing warmly. The person being held wears a black top and rust-colored pants, while the other wears a blue shirt and sneakers.

Explore our yearbook collections

Over its three-year arc, HISS explored what it means to learn, feel, and grow through a queer lens.

2023

Queer Age / Queer Youth

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Queer Age / Queer Youth

2023, Queer Age / Queer Youth questioned the timelines and expectations placed on queer lives, creating space for intergenerational dialogue and reimagined rites of passage.

Workshops embraced play, memory and reflection, offering a space where growing up queer was both examined and celebrated.

Explore this yearbook
2024

Queer Relationality

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Queer Relationality

In 2024, Queer Relationality explored how queer ways of being are shaped through connection — to others, to space, to institutions and to ourselves.

Through zine-making, critical karaoke and collaborative filmnotes, participants examined how relationships can become sites of knowledge, care and creative resistance.

Explore this yearbook
2025

Homecoming

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Homecoming

In 2025, Homecoming brought together alumni and new cohorts to reflect, reconnect and collectively imagine what queer schooling could look like beyond the walls of the classroom.

It marked a moment of return and renewal, where the Queer School Charter was drafted, not as an endpoint, but as a shared beginning.

Explore this yearbook

We thank all the queer scholars, educators and artists who shaped the HISS classroom. They held space, asked questions and reimagined what teaching can be.

(Our Faculty Scholars)

Headshot of Lee Wallace against a white background

Lee Wallace

(Director, SSSHARC)
Headshot of Victoria Rawlings against a white background

Victoria Rawlings

(Critical Education Studies, Sydney School of Education and Social Work)

HISS is coordinated by Lee Wallace and Australian Research Council DECRA Fellow Victoria Rawlings.

Supported by the Sydney Social Sciences and Humanities Advanced Research Centre (SSSHARC).

Queer thanks go to more people than we can name. We're especially grateful to FASS Dean Lisa Adkins for backing us from the start; to Kelly Panchyshyn and Rachel Yang, who welcomed over a hundred faculty and students with humour and grace; to Huy Nguyen for transforming HISS into this beautiful digital home; to the SSSHARC team for their strategic, emotional, and operational support;

and to our fellow residents at RD Watt, who let us turn Level 2 into a queer classroom across three Mardi Gras seasons. We couldn’t have asked for better friends and allies.

Our 2023 HISS Faculty

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Adam Greteman
Art Education
School of the Art Institute of Chicago
Alice Motion
Chemistry
Director, Sydney Nano Institute, University of Sydney
Cherine Fahd
Visual Communications
University of Technology Sydney
Clara Bradbury-Rance
Gender and Sexuality Studies
King's College London
EO Gill
Artist and PhD Candidate
University of Sydney
George Radics
Sociology and Anthropology
National University of Singapore
Jen Gilbert
Education
York University
Karen Tongson
Gender and Sexuality Studies, English and American Studies
University of Southern California
Meredith Weiss
Political Science and International Affairs
State University of New York, Albany
Sam Stiegler
Visiting Assistant Professor, Educational Studies
Colgate University, NY
Xavier Ho
Interactive Design
Monash University
Salote Tawale
Sydney College of the Arts
University of Sydney
Scott Herring
American Studies, Women's, Gender, and Sexuality Studies
Yale University
Shane Vogel
Theatre, Performance Studies and African American Studies
Yale University

Our 2024 HISS Faculty

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Alice Motion
School of Chemistry
University of Sydney
Amy Villarejo
Film, Television and Digital Media
UCLA
Cherine Fahd
Visual Communications
University of Technology Sydney
EO Gill
Video Artist and Film Curator
Art Gallery of NSW
Indigo Willing
Criminology and Criminal Justice
Griffith University
Jioji Ravulo
Social Work and Policy Studies
University of Sydney
Logan Timmins
Game Designer
Amble Studio
Pamela Lannutti
Human Sexuality Studies
Widener University
Premeet Sidhu
Game Studies
University of Sydney
Sam Stiegler
McKenzie Postdoctoral Fellow, Education
University of Melbourne
Susan Potter
Film Studies
University of Sydney
Teagan Bradway
English
SUNY Cortland
Xavier Ho
Interactive Design
Monash University
Yuko Itatsu
Information Studies
University of Tokyo
Adam Greteman
Art Education
School of the Art Institute of Chicago
Angelique Wan
CEO
Consent Labs
Martín Torres
Geography Department
Pontificia Universidad Católica de Chile

Our 2025 HISS Faculty

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Adam Greteman
Art Education
School of the Art Institute of Chicago
Alexis Weaver
Sydney Conservatorium of Music
University of Sydney
Alice Motion
School of Chemistry
University of Sydney
Cherine Fahd
Associate Head of School, School of Design
University of Technology Sydney
Indigo Willing
Churchill Fellow, NSW; John Oxley Hon. Fellow
Queensland State Library
JJ (Jessica) Wright
Sociology and Gender Studies
MacEwan University
Jioji Ravulo
Social Work and Policy Studies
University of Sydney
Karen Tongson
Gender and Sexuality Studies, English and American Studies and Ethnicity
University of Southern California
Kush Patel
Srishti Manipal Institute of Art, Design and Technology
Manipal Academy of Higher Education
Nic Weststrate
Educational Psychology
University of Illinois Chicago
Pamela Lannutti
Centre for Human Sexuality Studies
Widener University
Sam Stiegler
McKenzie Postdoctoral Fellow, Education
University of Melbourne
Susan Potter
Film Studies
University of Sydney
Xavier Ho
Interactive Design
Monash University
Yuko Itatsu
Information Studies
University of Tokyo

Acknowledgements

With thanks to our partners and supporters who made HISS possible.

We also thank our Dean and acknowledge the Hunt-Simes and Norman Haire bequests, whose generous funding supported grants-in-aid for incoming students across all three years of the program.

(Institution Partners)

Sydney College of the Arts
Sydney Policy Lab
The Women's College
Monash University
Northwestern University